Concert Pictures

Pictures taken at a concert
in the Florida Hospital Transitional Care Facility (TCF)
in Winter Park, Florida
on Saturday afternoon, April 11, 1998
(pictures courtesy of Laura Lovett)

 


 
 
David playing How Great Thou Art, 40 K Bytes
 
In the refrain of How Great Thou Art a ring-&-damp is about to occur in each hand.

 
 
Cheryl singing How Great Thou Art, 47 K Bytes
 
Cheryl singing How Great Thou Art to handbell accompaniment.

 
 
Picture of David playing Give Me Jesus, 46 K Bytes
 
In the second verse of Give Me Jesus the right hand is preparing for a slip-drop.

 
 
Final Chord, Give Me Jesus, 46 K Bytes
 
The final chord of Give Me Jesus is normally a six-note strike. However, 5 bells is better than throwing a bell at the audience.

 
 
David playing Dona Nobis Pacem, 3-part round, 45 K Bytes
 
This picture, of Dona Nobis Pacem, shows bar 4 of the sound file. Beat 1 is sounding in the right hand. The left hand is picking up the extended bell for the strike of beat 2.

 
 
David playing Dona Nobis Pacem, 3-part round, 46 K Bytes
 
This picture, of Dona Nobis Pacem, shows bar 7 of the sound file. The "and" of beat 1 is sounding in the left hand. The right hand is picking up the extended bell for the strike of beat 2.

 
 
David playing Dona Nobis Pacem, 3-part round, 47 K Bytes
 
This picture, of Dona Nobis Pacem, shows bar 7 of the sound file. Beat 2 is sounding in the right hand. The left hand just damped all 3 bells leaving the extended bell in home position.

 
 
David playing Dona Nobis Pacem, 3-part round, 45 K Bytes
 
This picture, of Dona Nobis Pacem, shows bar 7 of the sound file. Beat 2 is sounding in the right hand. The left hand is picking up the extended bell for the strike of beat 3. (The picture on the index page is cropped from this picture.)

 

 

Note:

All terms used in the picture captions are descriptions of multiple bell techniques defined in my book, Advanced Solo Ringing: Multiple Bell Techniques, described in the Publications page.

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This Page last updated April 9, 2016
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David M. Allen
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